SECTION 6 AUDIO

Introduction
6.1 Audio Compression with Ogg Vorbis
6.2 Creating a Compelling 3D Audio Environment
6.3 Obstruction Using Axis-Aligned Bounding Boxes
6.4 Using the Biquad Resonant Filter
6.5 Linear Predictive Coding for Voice Compression and Effects
6.6 The Stochastic Synthesis of Complex Sounds
6.7 Real-Time Modular Audio Processing for Games